Skip to content

George Clark

George Clark
Previous image
Next image

Double Ghosts (George Clark, 2018)

Double Ghosts (George Clark, 2018)

Posted on 1st October 201823rd March 2019 Full size 1512 × 1096

Post navigation

Published inLike a boat floating in the moonlight – Taiwan Biennial – 6 Oct 2018

About

  • Biography
  • Curatorial Projects
  • Writing
  • Latest News

Films & Projects

  • Sunless Haven
  • The Scattered Body or A World Unclouded By Dust
  • Handle With Care
  • Mother Bank
  • lololol & George Clark
  • Bangkok Sound Delay
  • A Mountain Inside a Cave
  • Inner Sage / Outer King
  • Double Ghosts
  • Jatiwangi / The Scent of Jati Trees
  • Living Archive
  • A Distant Echo
  • Sea of Clouds / 雲海
  • A Distant Echo – performance
  • Untitled (Eyemo rolls)
  • A Planter’s Art / 種植者的藝術
  • On The Planters Art: An illustrated talk on films, maps and gardening
  • On Entering a Library…
  • How Does Your Garden Grow
  • Interview with Hugo Santiago

West Java West Yorkshire Cooperative Movement

  • About West Java West Yorkshire Coop Movement
  • Mother Bank

Recent News

  • Alternating Waves: Imaging the Archive, The Outpost 24 Nov – 10 December 2023
  • ‘Well Settled’ opens at LUX, 4 Nov – 16 December
  • Sea of Clouds at Badischer Kunstverein, Germany, Oct-Dec 2023
  • Kamapala Through The Forbidden Scenes – Film Undone: Elements of a Latent Cinema, Berlin, July 2023
  • Artist talk Shireen Seno with George Clark at DAAD gallery, Berlin, 5 April 2023
  • Mother Bank artist talk for Kochi-Muziris Biennale, 2 February 2023
  • Everything is suspended in thin air, artist talk for Afterall’s Precarious solidarities symposium 2 Feb 2023
  • Speaking Nearby: Playing The Archive, Open City Documentary Festival, 10 September 2022
  • Speaking Nearby: Playing The Archive, Á Space, Hanoi, 25 June 2022
  • 2022 – Casual Encounters: The Untroubled Mind and Nervous Translation (ICA, April 2022)

News Archive

  • November 2023 (2)
  • October 2023 (1)
  • July 2023 (1)
  • April 2023 (1)
  • February 2023 (2)
  • September 2022 (1)
  • June 2022 (1)
  • April 2022 (3)
  • February 2022 (1)
  • January 2022 (1)
  • November 2021 (1)
  • October 2021 (2)
  • August 2021 (1)
  • November 2020 (1)
  • September 2020 (1)
  • August 2020 (1)
  • January 2020 (1)
  • December 2019 (1)
  • October 2019 (4)
  • September 2019 (1)
  • August 2019 (2)
  • July 2019 (1)
  • March 2019 (1)
  • January 2019 (1)
  • December 2018 (2)
  • October 2018 (2)
  • August 2018 (2)
  • May 2018 (1)
  • March 2018 (1)
  • February 2018 (1)
  • December 2017 (2)
  • November 2017 (2)
  • October 2017 (2)
  • September 2017 (1)
  • August 2017 (2)
  • July 2017 (5)
  • June 2017 (3)
  • May 2017 (2)
  • April 2017 (3)
  • March 2017 (3)
  • January 2017 (2)
  • December 2016 (2)
  • November 2016 (3)
  • October 2016 (2)
  • September 2016 (2)
  • August 2016 (2)
  • July 2016 (2)
  • June 2016 (2)
  • May 2016 (1)
  • March 2016 (1)
  • February 2016 (2)
  • November 2015 (3)
  • April 2015 (1)
  • April 2014 (2)
  • July 2007 (1)
  • 2022 – Casual Encounters: The Untroubled Mind and Nervous Translation (ICA, April 2022)
  • 2019 – The Image and Its Image (NKFS, 2019)
  • 2017 – ‘A Peculiar Apparatus: Spectres of The Penal Colony’ (In: ARKIPEL Penal Colony, 5th Jakarta International Documentary and Experimental Film Festival, 2017)
  • 2016 – ‘Moving Towards The Sun’, with Louise Menzies (In: House Studies II, Nov 2016)
  • 2016 – ‘On Correct Colour: Notes on Margaret Honda’s Films'(in: Made In L.A, 2016)
  • 2013-16 – Tate Film booklets
  • 2015 – ‘To Pour Milk Into A Glass’ (In: Conceptual Art in Britain, 1964-1979, Tate Publishing, 2015)
  • 2015 – L.A. Rebellion: Creating a New Black Cinema (Tate Etc, Spring 2015)
  • 2014 – The Luminous View (Tate Etc, Spring 2014)
  • 2007 – Differentiated Cinema (Art Monthly, Jul-Aug 2007)

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org
George Clark Proudly powered by WordPress