Double Ghosts featured in What Remains 11 April-22 May 2022

11 April – 22 May 2022
With: Seecum Cheung, George Clark, Onyeka Igwe, Bahar Noorizadeh, Josèfa Ntjam, Naïmé Perrette, Mamali Shafahi, Oraib Toukan, Geo Wyeth
Curated by Mehraneh Atashi and Tabitha Steinberg
Text by Mahan Moalemi

My film Double Ghosts shows in Part 1: Traces alongside Onyeka Igwe’s No Archive Can Restore You and Oraib Toukan’s Place of the Slave from 11 April – 24 April 2022

What Remains is an online film and events programme curated by Mehraneh Atashi and Tabitha Steinberg for moving image platform, videoclub from 11 April to 22 May 2022. The programme showcases nine artists using moving image to explore collapsing relationships between history, documentary, fiction and reality.

What Remains is divided into three sections – TracesCloseness and Forwards. Each section includes three films available for two weeks over the programme’s six weeks. Traces features artists exploring archival material to reflect on and re-imagine historical remnants. Closeness features artists exploring their own personal, familial and genealogical histories. Forwards features artists examining how technology has affected the way we view and engage with history and reality today. Although following a loosely methodical structure, What Remains explores the relationship between its sections to reflect its own inquiries into expanded notions of history.

The programme brings together artists of varying backgrounds, identities and artistic concerns, following the artists’ own investigations into multi-narrative stories and cross-linear timelines. This foregrounds connections between disparate methodologies and geographies in new and transformative ways.


Casual Encounters: The Untroubled Mind and Nervous Translation, essay for screening 6 April, ICA London

Casual Encounters: The Untroubled Mind and Nervous Translation
6 April 2022
ICA, London

Commissioned essay on pairing of Manon de Boer’s The Untroubled Mind (2016) and Shireen Seno’s Nervous Translation (2018) as part of The Machine That Kills Bad People film club at ICA, London to accompany screening 6 April 2022.

Set in the Philippines in the late 1980s, not long after the People Power Revolution that led to the fall of President Marcos, Shireen Seno’s second feature Nervous Translation evokes the uncertainty and precarity of those years through the eyes of its shy eight-year-old protagonist. Yael cooks meals on her miniature kitchen set, watches soap operas on television with her mother and obsessively listens to cassette tapes recorded by her father, a migrant worker in Saudi Arabia. At once playful and sad, Nervous Translation is above all concerned with what it feels like to be a child.

Manon de Boer’s The Untroubled Mind is a collection of images of constructions of the artists’ son filmed over a period of three years. The duration of each shot is around 20 seconds, the length of time you can film with a Bolex 16 mm camera when winding it manually.
The Machine That Kills Bad People is held bi-monthly in the ICA Cinema and is programmed by Erika Balsom, Beatrice Gibson, Maria Palacios Cruz and Ben Rivers.