Skip to content

George Clark

George Clark
Previous image
Next image

IMG_20180926_145014_edit

‘Double Ghosts’ exhibition documentation, 2018 Taiwan Biennale

Posted on 9th November 20189th November 2018 Full size 3840 × 2160

Post navigation

Published inIMG_20180926_145014_edit

About

  • Biography
  • Curatorial Projects
  • Writing
  • Latest News

Films & Projects

  • Sunless Haven
  • The Scattered Body or A World Unclouded By Dust
  • Handle With Care
  • Mother Bank
  • lololol & George Clark
  • Bangkok Sound Delay
  • A Mountain Inside a Cave
  • Inner Sage / Outer King
  • Double Ghosts
  • Jatiwangi / The Scent of Jati Trees
  • Living Archive
  • A Distant Echo
  • Sea of Clouds / 雲海
  • A Distant Echo – performance
  • Untitled (Eyemo rolls)
  • A Planter’s Art / 種植者的藝術
  • On The Planters Art: An illustrated talk on films, maps and gardening
  • On Entering a Library…
  • How Does Your Garden Grow
  • Interview with Hugo Santiago

West Java West Yorkshire Cooperative Movement

  • About West Java West Yorkshire Coop Movement
  • Mother Bank

Recent News

  • Alternating Waves: Imaging the Archive, The Outpost 24 Nov – 10 December 2023
  • ‘Well Settled’ opens at LUX, 4 Nov – 16 December
  • Sea of Clouds at Badischer Kunstverein, Germany, Oct-Dec 2023
  • Kamapala Through The Forbidden Scenes – Film Undone: Elements of a Latent Cinema, Berlin, July 2023
  • Artist talk Shireen Seno with George Clark at DAAD gallery, Berlin, 5 April 2023
  • Mother Bank artist talk for Kochi-Muziris Biennale, 2 February 2023
  • Everything is suspended in thin air, artist talk for Afterall’s Precarious solidarities symposium 2 Feb 2023
  • Speaking Nearby: Playing The Archive, Open City Documentary Festival, 10 September 2022
  • Speaking Nearby: Playing The Archive, Á Space, Hanoi, 25 June 2022
  • 2022 – Casual Encounters: The Untroubled Mind and Nervous Translation (ICA, April 2022)

News Archive

  • November 2023 (2)
  • October 2023 (1)
  • July 2023 (1)
  • April 2023 (1)
  • February 2023 (2)
  • September 2022 (1)
  • June 2022 (1)
  • April 2022 (3)
  • February 2022 (1)
  • January 2022 (1)
  • November 2021 (1)
  • October 2021 (2)
  • August 2021 (1)
  • November 2020 (1)
  • September 2020 (1)
  • August 2020 (1)
  • January 2020 (1)
  • December 2019 (1)
  • October 2019 (4)
  • September 2019 (1)
  • August 2019 (2)
  • July 2019 (1)
  • March 2019 (1)
  • January 2019 (1)
  • December 2018 (2)
  • October 2018 (2)
  • August 2018 (2)
  • May 2018 (1)
  • March 2018 (1)
  • February 2018 (1)
  • December 2017 (2)
  • November 2017 (2)
  • October 2017 (2)
  • September 2017 (1)
  • August 2017 (2)
  • July 2017 (5)
  • June 2017 (3)
  • May 2017 (2)
  • April 2017 (3)
  • March 2017 (3)
  • January 2017 (2)
  • December 2016 (2)
  • November 2016 (3)
  • October 2016 (2)
  • September 2016 (2)
  • August 2016 (2)
  • July 2016 (2)
  • June 2016 (2)
  • May 2016 (1)
  • March 2016 (1)
  • February 2016 (2)
  • November 2015 (3)
  • April 2015 (1)
  • April 2014 (2)
  • July 2007 (1)
  • 2022 – Casual Encounters: The Untroubled Mind and Nervous Translation (ICA, April 2022)
  • 2019 – The Image and Its Image (NKFS, 2019)
  • 2017 – ‘A Peculiar Apparatus: Spectres of The Penal Colony’ (In: ARKIPEL Penal Colony, 5th Jakarta International Documentary and Experimental Film Festival, 2017)
  • 2016 – ‘Moving Towards The Sun’, with Louise Menzies (In: House Studies II, Nov 2016)
  • 2016 – ‘On Correct Colour: Notes on Margaret Honda’s Films'(in: Made In L.A, 2016)
  • 2013-16 – Tate Film booklets
  • 2015 – ‘To Pour Milk Into A Glass’ (In: Conceptual Art in Britain, 1964-1979, Tate Publishing, 2015)
  • 2015 – L.A. Rebellion: Creating a New Black Cinema (Tate Etc, Spring 2015)
  • 2014 – The Luminous View (Tate Etc, Spring 2014)
  • 2007 – Differentiated Cinema (Art Monthly, Jul-Aug 2007)

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org
George Clark Proudly powered by WordPress